Best Lens For Music Videos in 2023

Many photographers feel that choosing the best lens for music videos is crucial. In general, camera bodies age faster than lenses. Although new video cameras are produced annually, optics technology does not improve rapidly.

Several lenses created decades ago may be attached to modern cameras with the right adapters to provide astonishing effects. So how do you start the lens-buying process?

Reading this article, you may learn more about fundamental characteristics that set specific lenses apart. But first, let’s look at the top lenses available right now.

A high-end lens can cost over $1,000; not everyone has that money to spend on one. The Yongnuo YN 50mm f/1.8 Lens can be the ideal choice if you’re a hobbyist seeking a less expensive option.

Although it lacks some of the more sophisticated features of its more expensive competitors, this lens is still quite capable of everyday shooting.

With a plastic housing and lens mount, the Yongnuo YN 50mm looks very similar to the Mark II version of Canon’s well-known “nifty fifty.” It would be not easy to mount a focus gear for use with a follow focus to the lens’s front, narrow focus ring.

This lens’s f/1.8 maximum aperture makes it perfect for low-light conditions. Additionally, because of its seven-blade iris, it will work flawlessly with selective focusing techniques. When the aperture is wide open, the image is a little soft, but reducing it by one or two stops produces good quality and sharp images.

Which is The Best Lens For Music Videos?

Best Lens For Music Videos
Nikon AF-S Nikkor 50mm f/1.8G

1. Nikon AF-S Nikkor 50mm f/1.8G

Brand: Nikon | Focal Length Description: F=1.8 MM | Lens Type: Standard | Compatible Mountings: Nikon DX | Camera Lens Description: 4 | Product Dimensions: 2.09 x 2.83 x 2.83 inches | Item Weight: 6.5 ounces | Item model number: 2199 | Batteries: 1 Lithium Ion batteries required. | Manufacturer: Nikon |

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The Nikon AF-S Nikkor 50mm f/1.8G is a lightweight, adaptable lens that has been available for a while. However, since its release, this product has swiftly become a top choice for enthusiasts seeking high-quality lenses without losing a lot of cash!

In terms of design, this lens has dimensions of 2.1 x 2.8 (H x D), weighs around 6.6 ounces, and uses an internal focus motor, making it ideal for most DSLR cameras—even those without a screw-drive focus system!

Additionally, even though this lens doesn’t use weather sealing, it still has a sturdy construction because of its sturdy plastic shell and metal mount. Still, I doubt that there are lenses in this price range that are weather sealed, anyhow!

You will have a wide range of options regarding the sharpness of the Nikon AF-S Nikkor 50mm f/1.8G when used with the Nikon D300. This lens is optimized for edge-to-edge sharpness on FX and DX-format DSLRs, so one of them may be the camera you use to record music videos.

Additionally, people who have used this model state that the lens does an excellent job of controlling distortion. On the other hand, I’ve heard that the diagonal angle of view on an FX-DSLR camera is 47 degrees, whereas the angle of vision on a DX body may be as low as 31 degrees. In any case, I believe that this lens is excellent, given its pricing.

Last but not least, this model includes a Silent Wave Motor, allowing you to experience the advantages of nearly silent auto-focusing on all Nikon DSLR cameras.

When all of these factors are considered together, I believe you will be more than happy to shoot with this lens because it is also tranquil and quick.

The Nikon AF-S Nikkor 50mm f/1.8G will be an excellent alternative if you’re searching for a reasonably priced lens that won’t break the bank but will provide quality performance!

  • Sharp;
  • Compact;
  • Fast aperture;
  • Inexpensive;
  • Aperture ring or vibration reduction is absent;
best lens for videography
Nikon AF S NIKKOR 85mm

2. Nikon AF S NIKKOR 85mm

Brand: Nikon | Lens Type: Telephoto | Compatible Mountings: Nikon F (FX) | Camera Lens Description: 7 | Maximum Focal Length: 85 Millimeters | Product Dimensions: 2.87 x 3.15 x 3.15 inches | Item Weight: 12.3 ounces | Batteries: 1 Lithium Ion batteries required. | Manufacturer: Nikon |

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The Nikon AF S NIKKOR 85mm can be the ideal decision for you if your budget is less than $500 and you’ve had trouble finding the best lens for several reasons to be discussed immediately.

While this lens lacks an optical stabilization system and may not be the best choice for handheld video shooting, Nikon has made up for this by including several extremely useful features. It weighs 12.4 ounces and measures 2.9 x 3.1′′ (H x D). However, you can always use a tripod to resolve this “problem.”

For example, the Nikkor 85 mm’s 7-blade aperture features a rounded blade design, meaning that out-of-focus highlights will be round if you stop down this lens. The greatest magnification ratio for this device is 1:8:3, and curiously, if you plan to utilize an FX camera, the angle of vision will be 28.5 degrees diagonally or 18.8 degrees on small-format DX. In all honesty, I believe that this lens gives excellent value, given its pricing!

Let’s now briefly discuss its compatibility. This lens works with FX and DX cameras, such as the D4, D800, and D800E, and Nikon’s more affordable models, including the D40(x), D60, D3000, D5100, D3100, and D5000.

This lens’ sharpness, which enables you to generate amazing tone and colour variances, and the ability to guarantee a crisp focus down to a distance of 2.6 feet are also fantastic features.

We won’t stop there because I still have something to say about its focus ring. The focus ring on this model is cleverly positioned on the front of the barrel, making it very convenient to focus manually with either your thumb or index finger. This is especially helpful for taking pictures and movies.

Finally, if you’re an enthusiast who doesn’t want to spend more than $500 on a lens but would like to film high-quality videos, I would strongly recommend that you take a look at the Nikon AF S NIKKOR 85mm as your next buy!

  • Very incisive;
  • Minimal distortion;
  • Luminous aperture;
  • Traditional portrait focus length;
  • Lightweight in comparison;
  • Pricey compared to third-party alternatives;
  • Not include optical stabilization;
  • F/1.4 and f/2 produce a noticeable vignette;
Best Lens For Music Videos
Sony E 10-18mm F4 OSS

3. Sony E 10-18mm F4 OSS

Brand: Sony | Lens Type: Wide Angle | Compatible Mountings: Sony E | Camera Lens Description: 18 millimeters | Maximum Focal Length: 18 Millimeters | Product Dimensions: 2.52 x 2.76 x 2.76 inches | Item Weight: 7.9 ounces | Manufacturer: Sony |

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If you want to capture films or images with a mirrorless camera, the Sony SEL1018 would be a fantastic choice. This ultra-wide-angle lens offers optical stabilization that will make the most of every circumstance and significantly increase creativity.

The SEL1018 is essentially an APS-C cropped-sensor lens compatible with all Sony E-mount cameras, including NEX models, A9-, A5, and 6/xxx as A7-. As a result, you can tell right away that this lens is very compatible, preventing you from buying a specific camera for this purpose.

Speaking of style, this item has a sophisticated, sturdy metal construction with premium black plastic accents. Also intriguing is that this lens is incredibly light at only 225 grams. Therefore, even after shooting for a considerable amount of time, you won’t feel difficult to use or exhausted!

The focus ring is also located behind the front element. This component caught my attention because it can rotate infinitely in any direction, offering you a wide range of options. Hence, you never feel constrained when shooting.

Sony has integrated optical stabilization to maintain everything very functional, which is wonderful mainly because you can have convenient video shooting without requiring a tripod. Additionally, you shouldn’t worry if your Sony camera lacks in-body stabilization because the lens will reduce camera jitter if you shoot handheld. Honestly, I like this lens!

There are numerous movies on YouTube where you can see how user-shot videos turned out in the end, giving you an even greater understanding of the SEL1018’s features.

The lens zoom ring sits near the camera body and includes incorporated marks such as 10, 12, 14, 16, and 18mm. If you prefer the phrase “full-frame,” the zoom covers the same angles as a 15-27mm lens.

What about the sharpness and autofocus? You can focus quickly and precisely thanks to the autofocus, which is quite speedy. For instance, you may get close to your subject and still capture high-quality films and photographs because the minimum focus distance is only 25 cm from the sensor plane, yet at 10mm, the sharpness in the center of the frame is simply breathtaking at f/4.

Although the results at f/5.6 in terms of sharpness are excellent, be prepared that sometimes the clarity at the margins of the frame may not always be optimum.

Finally, if you want to capture videos with a Sony mirrorless camera, don’t hesitate to check out the SEL1018. It is deserving of your attention.

  • Powerful optics;
  • Stabilization using optics;
  • Lightweight and small;
  • Allows for front filters;
  • A vast field of view;
  • A little distortion;
  • Excludes splash and dust protection;
good camera for music videos
Sigma’s 17-50mm F2.8 EX DC OS HSM

4. Sigma’s 17-50mm F2.8 EX DC OS HSM

Brand: Sigma | Lens Type: Standard | Compatible Mountings: Nikon F (DX) | Camera Lens Description: Zoom lens | Maximum Focal Length: 50 Millimeters | Product Dimensions: 3.62 x 3.31 x 3.31 inches | Item Weight: 1.25 pounds | Item model number: 583306 | Batteries: 1 Lithium Ion batteries required. | Department: Default Category | Manufacturer: SIGMA |

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The 7-50mm f/2.8 EX DC OS HSM standard zoom lens from Sigma isn’t a new product on the market; in fact, it’s one of the most recognizable and unquestionably among the most popular lenses available thanks to its plethora of capabilities that will significantly enhance your user experience!

First, I’d like to let you know that this lens is only intended for APS-C format DSLR cameras and that you can choose the edition for Canon (which I’m currently reviewing), Nikon, Pentax, or Sigma depending on your camera.

Moving on, this model features a focal length range of 17 mm, an aperture of f.28, and an optical stabilizer that works to reduce camera shake. Consequently, you may take amazing photos and record videos since, once you lock onto a target, this lens will guarantee nothing less than quality!

I have no criticisms about this lens because it also includes a “super multi-layer coating” that the manufacturer claims will lessen flare and ghosting.

I have good news if you’ve been curious about how autofocus works: because of the lens’s small focus throw, you will focus instantly and rarely notice any noise during this process.

The Sigma 17-50mm also produces excellent center performance throughout its zoom range, while corner softness will vary. For instance, the sharpness will be outstanding when the lens is stopped down, but if you use it wide open at a wide angle – at 17mm, f.28 – be prepared to notice corner softness, even though the central region will probably still be sharp.

Although this lens’s minimum focusing distance of 11 is consistent across its zoom range, which implies that it will only provide you with semi-macro close-up capability, I don’t believe that you will have any issues using it for video because you won’t be taking pictures.

Last but not least, users of the Canon T3i suggested this lens since it aided them in creating music videos. I believe you will feel the same way if you use this lens to record videos in the future.

Finally, the Sigma 17-50mm F2.8 EX DC OS HSM provides excellent value for the money, making it more than a suitable choice to be partnered with your Canon camera, allowing you to create music videos that are truly spectacular in appearance!

  • F/2.8 fixed aperture;
  • Effective zoom range;
  • Comprises a hood;
  • Image stabilization using optics;
  • Broad and soft;
best lens for filmmaking
Canon EF 70-200mm f/2.8L IS II USM

5. Canon EF 70-200mm f/2.8L IS II USM

Brand: Canon | Focal Length Description: F2.8 | Lens Type: Telephoto | Compatible Mountings: Canon EF | Camera Lens Description: 12 | Product Dimensions: 7.83 x 3.5 x 3.5 inches | Item Weight: 2.9 pounds | Item model number: 2751B002 | Batteries: 1 Product Specific batteries required. | Manufacturer: Canon |

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With a top-notch lens like the Canon EF 70-200mm f/2.8L IS II USM, you can take close-up shots and create cinematic films, which automatically implies that even the pickiest viewers will be satisfied with your music videos.

This lens is an amazing powerhouse for one simple reason: it combines a ton of valuable features, the most noticeable of which is its 4-stop image stabilization and weather-sealed design, which provide you with a ton of flexibility when it comes to filming films.

Whether you want to film footage in the winter, summer, rain, woodlands, or deserts, your creativity will only grow, and this lens will handle the rest!

Additionally, people who have previously acquired this lens assert that it is very sharp at almost all focal lengths when used wide open, from the image circle’s center straight into the corners of a full-frame camera.

However, in addition to this, they also praised its rounded 8-blade aperture and f/2.8 maximum aperture, which will be helpful if you achieve a blurred background in films or images, assuming that this is what you are searching for.

But don’t forget Canon’s 4-stop lens stabilization system, which suppresses vibrations and is helpful if you want to capture handheld pictures.

Additionally, an internal focusing system works with a ring-type ultrasonic motor so that you can expect quiet autofocus performance and hassle-free full-time manual focus override!

Suppose I had to sum up how well it works in one sentence. In that case, I’d say that the lens’ image stabilization technology is magnificent and sufficiently adaptable to provide you with a higher degree of versatility so that you can always get what you want, whether you’re shooting a music video or just snapping pictures!

Last but not least, I’d like to mention that the Canon EF 70-200mm f/2.8L IS II USM makes use of a super-spectra coating, which is designed to reduce ghosting and flare and allow you to shoot in bright lighting conditions with a higher level of contrast and color neutrality for the best possible user experience!

In conclusion, even if the Canon EF 70-200mm f/2.8L IS II USM lens isn’t the cheapest option available, I believe it deserves your consideration, especially if you use it in conjunction with a Canon camera, as the results are astounding!

  • From edge to edge, sharp;
  • Optically steady;
  • A constant aperture of f/2.8;
  • Includes a tripod collar and a hood;
  • 70mm has some distortion;
  • Heavy;
  • Expensive;
Best Lens For Music Videos
Nikon AF-S FX NIKKOR 24-70mm

6. Nikon AF-S FX NIKKOR 24-70mm

Brand: Nikon | Focal Length Description: F/2.8 | Lens Type: Standard | Compatible Mountings: Nikon F (FX) | Camera Lens Description: 11 | Product Dimensions: 5.24 x 3.27 x 3.27 inches | Item Weight: 2.36 pounds | Manufacturer: Nikon|

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There is no doubt that photographers are constantly hunting for the ideal lens for their particular style of photography. Musicians might be fussy about the equipment they utilize when filming music videos. One Nikon lens stands out above the rest: the Nikon 24-70mm f/2.8G.

Professionals worldwide have taken spectacular images and videos using this high-quality, adaptable lens. As a result of its constant f/2.8 aperture throughout its zoom range, you will still capture stunning pictures even if your subject moves closer or farther away from you while you are filming. There is one lens I usually advise using if you have a Nikon DSLR like myself.

This professional-grade lens includes everything you need to produce amazing video, including a fast aperture, superb image clarity, and VR (Vibration Reduction) technology to lessen blur in dim lighting conditions.

It is also a flexible lens employed in various shooting scenarios. The great aperture range of this lens enables you to fine-tune the depth of field and ensure that your photographs are not overly fuzzy when the camera moves during specific shots.

With this lens’s excellent focal length, you may approach a subject without bending over them or standing far away awkwardly. You can film your videos in various inventive ways with this high-quality camera lens without being concerned about movement blurring or other problems that might occur when using lower-quality tools.

I wholeheartedly endorse this lens if you’re seeking a fantastic lens that can accomplish various tasks while still producing high-quality images.

Several lenses can be helpful whether you’re a professional filmmaker or want to make some music videos.

Because it is solid and adaptable, I suggest the Nikon 24-70mm f/2.8G as one of the greatest lenses to utilize when filming your movie at night or during the day. All of your prospective music videos will change after adding this lens.

  • Enormous aperture;
  • Decent focal length;
  • It has a crisp lens;
  • Decent contrast;
  • Fantastic image quality;
  • Image restraining;
  • The focus ring is quite slick;
  • Swift focusing mechanism;
  • Significant when there is little light;
  • Heavyweight;
  • A little distortion;
best lens for shooting music videos
Panasonic LUMIX Professional 12-35mm

7. Panasonic LUMIX Professional 12-35mm

Brand: Panasonic | Focal Length Description: 12 – 35mm (35mm camera equivalent: 24 – 70mm) | Lens Type: Wide Angle | Compatible Mountings: Micro Four Thirds | Camera Lens Description: 4 | Product Dimensions: 4.02 x 4.02 x 4.84 inches | Manufacturer: Panasonic | Country of Origin: Japan |

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I don’t know if you’ve heard, but Panasonic announced their newest 12-35mm f/2.8 II pro-level zoom lens. This lens is among the top music video lenses for the GH5 market because of its increased performance and sophisticated optical construction.

For photographers who wish to shoot in low-light scenarios like concerts or nightclubs because it is unrivaled at producing creamy bokeh thanks to its fast aperture and superior image stabilization technology.

Because of its numerous qualities, this lens stands out as the best. The lens is large and maintains an aperture of f/2.8 throughout its zoom range. It is ideal for using the GH5 or any other camera that offers manual gap control to shoot music videos. The lens is small, light, and reasonably priced, so it won’t empty your wallet.

This lens’s broad field of view and outstanding clarity will enable you to capture every moment without distortion or blur.

Additionally, it includes an in-lens focus motor that improves autofocusing in video mode when combined with the GH5 body. This is because fewer moving parts get in the way while shooting fast-motion sequences or quick pans across a scene.

The lens also produces superb images with excellent center sharpness at all focal lengths. For music videos taken on the GH5, the Panasonic 12-35mm, f/2.8 II lenses is a fantastic option since it offers an outstanding balance of sharpness, contrast, and color to make your photos pop.

Use this camera system with different lenses to accomplish something else, like close-up photography or more zoom. Consider this one seriously if you’re searching for a versatile, reasonably-priced lens that will perform well in all lighting situations! Grab this lens immediately to experience a dramatic improvement in your music videos.

  • Lightweight and small.
  • Image stabilization using optics
  • Reduced distortion
  • It is shielded from moisture and dust.
  • Some softness at the corner and edge.
best music video lens
TOKINA ATX-i 11-16mm F2.8 Canon EF

8. TOKINA ATX-i 11-16mm F2.8 Canon EF

Brand: Tokina | Focal Length Description: 11-16mm | Lens Type: Wide Angle | Compatible Mountings: Canon EF | Camera Lens Description: 16 millimetres | Product Dimensions: 3.31 x 3.31 x 3.61 inches | Item Weight: 1.22 pounds | Manufacturer: TOKINA |

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Since I’ve been taking pictures and making movies for the past ten years, it’s safe to assume that I’m an expert in photography equipment. This blog post is targeted at photographers looking for an all-purpose lens that can be utilized in both scenarios as a result.

The Tokina 11-16mm f/2.8 is a great place to start with your next purchase if you’re unsure of where to start. Music videos are a fantastic way to display an artist’s talent. Due to its wide variety of focal lengths, this lens is excellent for shooting music video footage since it enables you to catch loads of activity in previously impossible ways with DSLR cameras.

This lens will be ideal for your upcoming production and has been utilized in numerous award-winning music videos. It is a lens with excellent detail and sharpness. Still, the ability to zoom in without any distortion is the most valuable feature it provides for music videos.

If you’re seeking the best DSLR lens with an aperture of 2.8 that can let in more light to assist you in filming videos in poor lighting settings, the Tokina 11-16mm f/2.8 lens is a great choice. This lens also has a good focal length range, which makes it simple to film action scenes without distortion at 16mm.

This makes it perfect for video because you can get closer to your subject while still getting everything in the frame. Because of its superb low-light performance and close-up zooming capabilities without sacrificing resolution, you can get up close and personal with any action on stage.

This makes it ideal for capturing private exchanges between band members or a backstage interview before they take the stage. It’s also ideal if you want to have two lenses in one and capture additional background footage without focusing too much on a certain performer or object in the scene.

This lens offers a wide field of view and can capture close-up pictures of performers, making it the best DSLR lens for music videos. When recording your music video, the Panasonic 12-35mm f/2.8 II is a capable lens that can handle most scenarios. This is all you need to seek the ideal DSLR lens for your upcoming music video!

  • Solid construction;
  • Extremely well-liked ultra-wide angle;
  • Outstanding optical quality;
  • F/2.8 fast constant aperture;
  • The picture is of good quality;
  • Picture stabilization is absent;
  • Chromatic irregularity;
best lenses for video
Sony FE 24-70mm f/2.8 GM Lens

9. Sony FE 24-70mm f/2.8 GM Lens

Brand: Sony | Lens Type: Standard | Compatible Mountings: Sony E | Camera Lens Description: 70 millimetres | Product Dimensions: 10 x 8.3 x 6.9 inches | Item Weight: 1 pound | Manufacture: Sony|

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They ask for the ideal fusion of improvisation, creativity, and technology to capture that special moment when a song evokes a specific emotion. For this reason, having the proper tools for your shoots is crucial!

For example, the Sony FE 24-70mm f/2.8 is a fantastic lens. The image quality is good, with solid contrast and clarity at both ends of its focal length range and a broad zoom range for flexibility. You’ll want to purchase this lens because it offers many unique features. The lens’s optical image stabilization helps lessen camera shake while using a handheld camera in low-light conditions.

They are making it ideal to employ slow shutter speeds to capture dark scenes or photograph live performances without additional lighting. Producers of music videos seeking a single lens that can handle everything from close-ups of the drum kit to wide shots capturing the entire band on stage should strongly consider the Sony FE 24-70mm f/2.8. It is made especially for recording innovative videos.

And it’s ideal if you want to get some artistic images of bands playing live or just hanging around on stage. With this lens, you may get relatively near to your subject without experiencing any distortion while maintaining the ability to take pictures at a distance when necessary.

If you want a high-quality and reasonably priced professional-level video, these prime lenses are worth looking into! Due to its constant aperture over the zoom range, this flexible lens covers both ends of the focal range and has good-quality optics. It is a top-notch lens that will give your videos a more polished appearance.

Its outstanding zoom range and ability to capture video in confined locations make it the ideal lens for filming music videos. It is one of the best lenses on the market, so if you want to boost the quality of your video production, this should be your first choice.

  • Amazing construction;
  • The autofocus speed is simply incredible;
  • A broad dynamic range;
  • Sharpness;
  • Extreme contrast;
  • The range of colors is enormous;
  • Great focus length;
  • Quite heavy;
  • A little distortion;
best lenses for videography
Sigma 18-35mm F1.8 Art DC HSM Lens

10. Sigma 18-35mm F1.8 Art DC HSM Lens

Brand: Sigma | Focal Length Description: 35 | Lens Type: Wide Angle | Compatible Mountings: Canon EF-S | Camera Lens Description: 35 millimetres | Product Dimensions: 4.76 x 3.07 x 3.07 inches | Item Weight: 1.79 pounds | Manufacturer: SIGMA | Country of Origin: Japan |

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We advise using our 18-35mm lens to get the finest and most fluid pictures possible while recording your most recent album. This lens has so many characteristics that I might list them as uncountable.

First of all, it features a substantial maximum aperture for when it becomes dark and is ideal for close-up images of your acoustic guitar. This lens is ideal for any circumstance that calls for creative camera work thanks to its generous 72 square millimeter size filter!

Second, it is a beautiful focal length for shooting music videos because it is a fast, wide-angle lens. Additionally, it features an aperture of 1.8, enabling you to photograph in dim light and add lovely bokeh effects to your background images. This lens’s HSM (Hyper Sonic Motor) also enables precise, sharp focus tracking when capturing moving subjects like dancers or performers on stage!

The wide-angle focal length and fast aperture make it an excellent option for shooting music videos in low-light conditions. Additionally, it has significantly less distortion than other lenses, which is advantageous when attempting to fit everything within the frame.

Simply put, this lens will enable you to get every shot required for your video productions! This lens is an excellent option if you’re interested in photographing close-up or distant details at any time, regardless of the illumination!

I have a lot of experience filming music videos. I have also photographed weddings, concerts, and other events. I recently purchased this lens because it’s ideal for recording many kinds of video footage in dimly lit settings, such as concerts or shooting swiftly moving subjects.

I wholeheartedly endorse this lens if you’re a photographer seeking the greatest lens for shooting music videos. When photographing concerts, the small touches that make concerts memorable can be captured with this lens. I promise you won’t regret making this purchase; it will be one of your best.

  • Sharpness;
  • Fantastic wide aperture;
  • Very reasonably priced;
  • Excellent visual quality is present;
  • Beautiful bokeh;
  • Heavy and large;
  • Picture stabilization is absent;
  • A little barrel distortion;

Buying Guide for Music Video Camera Lenses

It would be best if you considered several factors before making a purchase, which involves thorough research and expertise in the field of lenses. Of course, this is not at all simple. To help you choose the appropriate lenses for shooting music videos, I will attempt to simplify your life by giving you information about specific features in this area.

You won’t be able to acquire the desired movies even if you purchase the best lens available unless you have a camera that can handle the lens. I advise getting a low-cost video camera unless you own a versatile high-end camera.

Lens Length
In essence, a focal length indicates the angle of view of the lenses, and the focal length may vary based on the lens type. For instance, telephoto lenses are longer and can reach 100mm, 200mm, 400mm, and more, whereas wide-angle lenses typically have a focal length of 18 or 24mm!

The size and weight of the lenses themselves are two of the most crucial factors to consider when selecting lenses. This relates mainly to practical use, and since you’ll be looking for lenses for music videos, you should always give preference to those whose size and weight aren’t vast and hefty.

Although the construction and build quality may not be crucial to the output’s quality, having a well-made lens will ensure years of use and save you money because you won’t need to replace it as frequently.

This aspect is closely related to the lens construction since the better the construction, the more expensive the lenses will be. Additionally, as is always the case, the cost of a given item is a good indication of its quality, which is also true for lenses.

Object Throw
A concentration throw is what? The most straightforward explanation you might receive is that this is a physical revolution of the focus ring, which extends from the minimum focus distance to infinity. The throw is crucial since you will be working with videos, but it is also crucial for movies and television because you will need to make exact adjustments when you choose to pull the focus from one subject to another.

There are many different kinds of lenses, and each one is appropriate for a particular use. For instance, prime lenses are much better suited to creative and narrative filmmaking than zoom lenses since they are known to be of higher quality and produce more elaborate dramatic shallow focus effects. Prime lenses are also frequently employed in music videos at the same time.

Zoom lenses will help you obtain outstanding results if you plan to film documentaries, news, or events. Still, you would regrettably need to make a more significant investment because they are not affordable, and you will likely need a proper camera for documentary recording.

Frequently Asked Questions (FAQ)

Which lens works best for music videos?
A: Unfortunately, I cannot give you the best response to this question because various factors determine whether a particular lens is good. Specifically, it depends on the brand, including your preference for Nikon, Canon, Sony, etc., the price range you’re willing to accept, and more. You can choose the lens that best suits your demands and budget even though each of the lenses in this article has a different price because they are all compatible with the cameras created by the brands mentioned above.

Which lens would be the greatest to use for filming?
A: Once more, it relies on the criteria I previously outlined. However, I’ve also provided a particular lens for filming in this article, so see whether it works with your camera.

Are 50mm lenses suitable for video?
Why not? Most of them are reasonably priced and can be regarded as “perfect” for newcomers who are still learning the ropes as music business videographers. Though the 50mm lens is of high quality, you shouldn’t anticipate miracles because, as you know, they can’t compete with more expensive lenses.

Zoom or prime lenses?
A: They both have advantages and disadvantages. For example, zoom lenses make shooting relatively simple, but prime lenses are typically faster, perform better in low light, and are better for shallow depth of field. Additionally, some people prefer zoom lenses, while others utilize prime lenses for shooting music videos. In my opinion, prime lenses are preferable in most circumstances.

What does the “F” in camera lenses stand for?
A: The f-number, which stands for the lens speed, is another name for the letter “F.” The f-stop, or focal ratio, measures how light-sensitive a lens is; the lower the number, the more light that may reach the sensor.


So, which do you prefer? After all, I believe you are happy with the variety of lenses covered in this post, and you may have already made a choice. One thing to keep in mind, though: I made an effort to find the best lenses for the cameras made by the most well-known manufacturers on the market, and each of them can give you genuinely excellent results!

Please don’t hesitate to contact me if you have any further questions or concerns on a specific subject; I’m more than happy to assist!

Read More:
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Best Lenses For Panasonic GH4 in 2023

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